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Monday
10th March 2008
First rehearsal day. LM, HJ, BM & CC meet Terminal Studios
11am. Run through Thunder set (Loser, River Of Pain, Low
Life In High Places, ILYMTR+R).
DB arrives 12pm. Run Loser, ROP and ILYMTR+R again but we
decide to leave ‘Low Life’ until production rehearsal at the
venue on 12/03.
Looking forward to playing a couple of Who songs with Roger
Daltrey who’s due in today @ 3pm. I spoke with Bob Pridden
(Roger Daltrey’s right hand man) a few days before and
agreed we |
would
routine three Who songs; ‘Pinball Wizard’, ‘5.15’ and
‘Substitute’. Bob calls me at 1pm to say Roger wants to do
‘Kids Are Alright’. I dash home to collect my Who collection
then back to the studio and we quickly learn ‘Kids’ with
Danny singing Roger’s part.
Bob arrives @ Terminal 2pm. Bob has been sent on ahead by
Roger, presumably to make sure we’re not crap! By the time
Roger arrives we’ve also re-learnt ‘Behind Blue Eyes’. We
run through ‘Kids’ and Roger adds an ad-libbed section to
the end of the song that works well. He is quite nervous
which is I suppose understandable considering he doesn’t
know us from Adam but, slight awkwardness notwithstanding we
get through ‘Kids’ and ‘Behind Blue Eyes’ before jamming the
old Elvis song ‘Train, Train’. He says we should do it on
the night. I’m not convinced. He leaves a lot less tense
then when he arrived which is a relief.
Tuesday 11th March 2008
Arrive Terminal 10.30am. Quick update conversation with our
production manager Adrian Basketfield. He and I have been
speaking several times a day for the last few weeks. He is
dealing with all logistical aspects of the gig and I’m in
charge of co-ordinating the musical content. Everything is
running smoothly so stress levels remain thankfully low.
Check guitars. I’m using more than usual due to the varied
styles of the artists involved.
Ian Paice arrives @ 12pm and begins to set his own kit up
which is not what I expected! I’d met Ian before albeit
quite briefly, when we’ve worked with Deep Purple and he’s a
really genuine and funny guy. He explains that 26 hours
earlier he’d left Venezuela where Purple had just finished a
South American tour. He’s obviously a bit spaced out so we
ply him with strong coffee. It’s really good of him to have
volunteered to do the gig and he doesn’t stop cracking jokes
all day. Nice man!
Glenn Hughes arrives @ 1pm. He hasn’t played with Ian for
30-odd years and it’s 34 years since I saw them playing
together in Deep Purple at Lewisham Odeon on the tour to
promote ‘Burn’…….. weird!
We run through ‘Mistreated’ and Glenn finishes the song with
an ad-libbed vocal work out as only he can! He sings so high
that most of the dogs in London SE1 must have been very
confused for a while. We then take on ‘Might Just Take Your
Life’ and Danny assumes the David Coverdale role. It all
goes so well that we only need to run the two songs once.
Very strange how I get to be Pete Townshend and Ritchie
Blackmore in the same 24 hours!!
Russ Ballard arrives @ 3pm. Russ has written so many hits
that it must have been difficult for him to decide what to
play but he plumps for ‘Since You’ve Been Gone’. I’m sure
the irony of playing a song most people associate with
Rainbow wasn’t lost on Ian but you’d never have known. Chris
takes over bass duties for Russ’s song along with the
legendary Steve Smith on keyboards and the lovely (and
currently brunette) Tara McDonald gives us a backing vocal
boost as well as lending some much-needed glamour to the
proceedings.
We rattle through ‘SYBG’ a couple of times and it all sounds
lovely.
Ian, Chris and I run through an instrumental version of
‘Faith Healer’ which we’re going to be playing with Fish. He
can’t make rehearsal as he’s in the middle of a tour so we
have to try and imagine a very tall Scottish man singing!
Ian heads off home for some much-needed kip and Harry takes
over behind the drums for the rest of the day.
Lulu arrives @ 4pm along with her MD (musical director) Mark
Taylor. Mark is a great piano player. Danny and I worked
with him on ‘Mo’s Barbeque’ (he plays the beautiful solo at
the end of ‘On A Day Like Today’).
Lulu has an amazing energy about her. She has all the men in
the room eating out of her hand in minutes. It really is
quite something to observe. She’s instantly likeable and
very funny with a wicked sense of humour. She also, it must
be said, has a lovely bottom!
We successfully negotiate the newish arrangement of ‘To Sir
With Love’ then ‘Shout’, which is great fun to play. Lulu
seems to enjoy herself and dances around while flirting with
everyone at the same time. She really is great fun. We
finish around 5.30pm and head off for a well-earned pint.
Wednesday 12th March 2008
Set up day at the Indigo2. The crew are still tweaking
things when we arrive just before 4pm for Thunder soundcheck.
The venue is very impressive and nicely designed. We run
through our set, then the Roger Daltrey songs before ending
with the two Lulu tunes.
Thursday 13th March
Show day. We arrive at the gig 3pm. Marillion are
soundchecking. There are only three of them today as they’re
performing a short acoustic set.
Pop into the production office to see Adrian and it’s a hive
of activity. Trudi Harris (Bob Harris’s wife) is a very
important part of the team and she and her girls are sorting
out the grizzly business of the guest list, which is never a
pleasant task at a gig like this! Say hi to Bob who’s his
usual, amiable self.
We start to soundcheck the ‘all star band’ around 3.45pm.
Ian checks his kit before Russ, Glenn, Fish and finally Lulu
(who arrives late after being stuck in traffic in the
Blackwall Tunnel; funny that!) all run through their songs.
We then attempt to rehearse the finale ‘With A Little Help
From My Friends’. I chose the song for a number of reasons;
i) the sentiment of the song seemed to fit a charitable
occasion like this; ii) everybody knows it; iii) there are
enough lyrics in the song for all the singers to be able to
sing a couple of lines each. I even printed off several
lyric sheets to pass amongst the vocalists in a
schoolteacherly way in the vain hope that it might promote a
hint of organisation….ha ha ha!! After a fairly shambolic
run through we huddled around the drum riser and I allotted
specific lines to specific vocalists. Everyone got into the
spirit of ‘organised chaos’ with the exception of Colin
Blunstone of The Zombies who simply ran away! Somebody
remarked that I might have frightened him with my
school-masterly manner!
All the artists were then gathered together for a
five-minute photo call and then it was dinner time.
I retired to the Thunder dressing room and slipped into my
sparkly boob tube in preparation for the show. After Bob
Harris’s opening words we took to the stage and did what
Thunder do. It went very well bar an exploding guitar string
and the four songs flew past. Fish followed us on to the
stage although I didn’t get to see any of his set.
I watched The Zombies who were terrific and a bit of
Marillion’s well received set before it was time to get up
again for the ‘all star band’ section of the evening.
Everything went very smoothly and every artist raised their
game. As is always the way with these things it flew past. I
did however look around the stage several times during the
evening and take it all in. Let’s face it it’s not everyday
you get to play with so many great musicians and I didn’t
want to not enjoy the moment.

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